15. 'Arrival'
《降臨》

For those who are disappointed that the close encounter Amy Adams has with aliens in Arrival is about communication instead of global annihilation, I can offer no comfort. Except to say that the contemplative tone taken by director Denis Villeneuve and the full commitment Adams brings to a role of ever-surprising layers result in a movie that stays with you long after you leave the multiplex.
在電影《降臨》中，艾米?亞當(dāng)斯與外星人近距離接觸是為了溝通，而沒(méi)有出現(xiàn)毀滅地球的情節(jié)，對(duì)于那些因此感到失望的人，我無(wú)力給予安慰。只能說(shuō)，導(dǎo)演丹尼斯?維勒弗采用的沉思式的語(yǔ)調(diào)以及亞當(dāng)斯賦予主人公空前豐富的層次性，讓這部電影在你離開(kāi)影院后依然烙印在腦海里，揮之不去。

網(wǎng)友評(píng)價(jià)：

帕拉多克斯：將人類情感與科幻闡釋相結(jié)合，敘事從混沌變清晰，莊重的科幻儀式感，電影配樂(lè)、音效與對(duì)白的巧妙融合，很精準(zhǔn)的一次回環(huán)結(jié)構(gòu)表達(dá)。