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藝術(shù)名家兩會(huì)論政
Famous artists offer insight at two sessions

[ 2014-03-12 10:45] 來(lái)源:中國(guó)日?qǐng)?bào)網(wǎng)     字號(hào) [] [] []  
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藝術(shù)名家兩會(huì)論政

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Over the past week, I have spent much time with some of the country's most famous artists – including filmmakers, singers, choreographers, writers, actors, painters and musicians - during the NPC and CPPCC sessions.

One thing that I can confirm about these people is that – perhaps unsurprisingly – they are usually completely devoted to their art, talk about little else – and they seem to live in their own world.

I assumed they would support policies relating to their own field – possibly relating to financial assistance and promoting their art to the general public.

Well, they did do that – but not only. Most of the time, when they were sitting together and chatting, they discussed social issues that affect everyone.

Just this Sunday morning, the actress Song Dandan began a discussion about recent worrying trends that have been widely covered in the media. For example, there have been cases of people – especially the elderly – lying injured or sick on the sidewalk and passers-by walking past, ignoring them completely, as many are apparently afraid of being accused of involvement in the person's plight and some fear being blackmailed. Song and the rest of the group were dismayed by these incidents, and Feng Shuangbai, a dance critic, proposed a solution involving an improved medical system for the elderly – with the aim of putting an end to such incidents.

The comedian Gong Hanlin - who often appears on CCTV's Spring Festival gala - made several suggestions, including naming the area which was occupied by Japan's Unit 731 during the Anti-Japanese War a heritage site – so as to remember the victims - tackling pollution and offering financial support to those involved in endangered traditional art forms. Regarding the smog, Gong said: "What has the Ministry of Environment been doing?" and he called for civil servants to "take the blame and offer to resign". He added: "We've only seen expelling. But is this all that a transparent government does?"

A group of painters discussed Sino-Japan relations, the Gulf War, and defense spending. They said that funds related to the Clean Your Plate Campaign could go to the military.

A writer with the Guangzhou Military Command, Tang Dong, talked about traditional Chinese values and how they could be kept alive in the money-crazed, dog-eat-dog days. "We have to keep the essence of our tradition," he said.

The artists also talked about education - from primary school to vocational school - and a new evaluation system. They seemed to care very much about migrant workers, and whether or not they get the same treatment as urban residents. They also care about issues such as employment, the environment and food safety.

Mo Yan, the Nobel laureate, made a proposal for couples who have lost their only child, suggesting that they should be given priority in hospitals, nursing homes and other facilities – and the government should cover their fees.

Mo Yan wrote the controversial novel Frog – which focused on the one-child policy - and this may explain his concern and unusual insight in a social problem that affects many people around the country.

But many of these artists are trying to make an impact concerning matters that do not necessary affect them – and in which they have no expertise - and they are thus stepping out of their comfort zone.

The artists are sincerely interested in offering their insight to tackle issues affecting the whole of the country. Though they may often seem aloof and detached from reality, when they become CPPCC members and receive training on how to push forward their opinions, they go out of their way to try and improve the lives of everyone – suggesting areas that require research and policies that could make a difference.

Gao Peifen, a famous qin player, told me: "We're supposed to start from our areas of knowledge and then to investigate larger issues. We take this job very seriously."

I have witnessed that with my own eyes.

查看譯文

上周,我采訪了一些前來(lái)參加兩會(huì)的知名藝術(shù)家,他們中有電影制片人、歌唱家、舞蹈編導(dǎo)、作家、表演藝術(shù)家、畫家還有音樂(lè)家。

和大家一樣,我認(rèn)為這些藝術(shù)家平時(shí)都沉浸在自己的世界中,全身心投入藝術(shù)創(chuàng)作,很少談?wù)搰?guó)事。我猜想他們提出的議案會(huì)與自己的專業(yè)領(lǐng)域有關(guān),比如政府的財(cái)政支持,讓藝術(shù)走進(jìn)百姓的生活。可事實(shí)卻不僅如此,藝術(shù)家們大部分時(shí)間都圍坐在一塊兒,討論與所有人相關(guān)的社會(huì)問(wèn)題。

3月9日上午討論展開(kāi),表演藝術(shù)家宋丹丹表達(dá)了自己對(duì)于一些社會(huì)現(xiàn)象的擔(dān)憂,引發(fā)討論。比如,行人對(duì)于倒在路上的傷者或病人,特別是老年人,不聞不問(wèn),漠不關(guān)心,生怕被訛詐,陷入窘境。宋丹丹所在討論組的代表們對(duì)于此類現(xiàn)象表示非常失望。舞蹈評(píng)論家馮雙白建議建立更加完善的老年人醫(yī)療體系,希望能夠就此解決問(wèn)題。

春晚的常客,喜劇表演藝術(shù)家鞏漢林在會(huì)議上也提出不少建議。建議包括將日本侵略軍731部隊(duì)遺址申報(bào)為世界文化遺產(chǎn)以紀(jì)念死難者,解決環(huán)境污染問(wèn)題,政府對(duì)瀕臨失傳的傳統(tǒng)藝術(shù)給予財(cái)政支持等等。當(dāng)談到霧霾時(shí),鞏漢林發(fā)問(wèn):我們的環(huán)保部門做了哪些事?他認(rèn)為一些地方的環(huán)保部門官員應(yīng)當(dāng)引咎辭職。人們只看到了官員落馬,但一個(gè)透明化政府遠(yuǎn)不止如此。

一些畫家討論了軍事方面的問(wèn)題,例如中日關(guān)系、海灣戰(zhàn)爭(zhēng)和國(guó)防開(kāi)支,他們認(rèn)為光盤行動(dòng)也應(yīng)當(dāng)在軍隊(duì)推行。

廣州軍區(qū)軍旅作家唐棟提出在如今這個(gè)金錢至上、競(jìng)爭(zhēng)激烈的社會(huì)環(huán)境中,如何保持中國(guó)傳統(tǒng)文化活力的問(wèn)題,他認(rèn)為我們應(yīng)當(dāng)傳承中國(guó)文化中最本質(zhì)的精神。

諾貝爾文學(xué)獎(jiǎng)得主莫言針對(duì)“失獨(dú)夫婦”提出了議案。在他的小說(shuō)《蛙》中,他就關(guān)注了中國(guó)獨(dú)生子女政策,用小說(shuō)的形式從新的視角表達(dá)了他對(duì)這一國(guó)策的看法。他建議政府應(yīng)當(dāng)保障“失獨(dú)夫婦”的就醫(yī)、養(yǎng)老等問(wèn)題并且承擔(dān)相應(yīng)費(fèi)用。

藝術(shù)家們還談?wù)摿撕w小學(xué)直至職業(yè)培訓(xùn)的教育問(wèn)題以及新的教育評(píng)價(jià)體制。農(nóng)民工問(wèn)題也是他們關(guān)注的焦點(diǎn),農(nóng)民工和城市居民應(yīng)當(dāng)享有平等的權(quán)利。他們還討論了就業(yè)、環(huán)境和食品安全等方面的問(wèn)題。

在兩會(huì)上許多藝術(shù)家走出了自己的圈子,不再談?wù)撟约旱膶I(yè),而是將目光投向了社會(huì)問(wèn)題,這些問(wèn)題也許與他們的關(guān)系并不密切。藝術(shù)家們真誠(chéng)地希望能夠從他們的角度為國(guó)家大事獻(xiàn)言獻(xiàn)策。也許,人們認(rèn)為藝術(shù)家永遠(yuǎn)活在藝術(shù)的世界中,脫離現(xiàn)實(shí),但是當(dāng)他們肩負(fù)兩會(huì)代表的使命時(shí),他們將展現(xiàn)全新的一面,深入調(diào)研,提出議案,考慮如何提高百姓的生活質(zhì)量。

古琴藝術(shù)家高培芬說(shuō):“作為政協(xié)委員,我們十分認(rèn)真嚴(yán)謹(jǐn)。我們首先要立足于自身的專業(yè)領(lǐng)域,之后探討更加宏觀的社會(huì)問(wèn)題。”

這些都是我親眼所見(jiàn)。

(中國(guó)日?qǐng)?bào)記者:孫曄 譯者:吳溦)

 
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